Canvases of Hope

A limited series bringing color to BRAC’s enduring beliefs.

Canvases of Hope is a limited series pairing original artwork by artists in countries where BRAC works with the wisdom of our founder, Sir Fazle Hasan Abed.

Each piece is an invitation to our donors to pause, reflect, and remember the values that have guided BRAC from the beginning, and that members of our global community, like you, all share.

Below are two pieces in our three part series.


Artwork from Charity Atukunda of mango harvest season
Poverty is not the absence of resources. It is the unequal sharing of them.”

Sir Fazle Hasan Abed

BRAC Founder

About the Artwork

Mango Season, 2026

Artist: Charity Atukunda (Uganda)

Illustration

For this piece, Ugandan artist Charity Atukunda drew on a familiar scene from home: when a mango tree hangs full of ripe fruit, you call your neighbors, friends, and family to help harvest and share it. Set in mango season, her warm, textured scene turns Sir Fazle's words into an image of food as a communal resource, and of abundance that grows when it's shared.

The idea behind the quote

Sir Fazle believed that with the right assets and a community of support, everyone has the potential to rise out of poverty. BRAC's work has always tended to both:

  • the tangible assets: cows, sewing machines, and cash
  • the invisible safety nets that let progress continue long after a program ends
  • the strengths already within a community, from local women who become teachers and health workers to the security of belonging to a savings group

Where others see scarcity, this piece sees abundance worth sharing.

Meet the Artist

About Charity Atukunda

Charity Atukunda is a Kampala-based visual artist and illustrator. Her work explores themes of feminism, identity, history and everyday lived experience within contemporary Ugandan society and the wider world. Her work also explores how ideas and belief systems shape and govern our lives.

Her practice is process-led, experimental, with research being central to how she works. Her illustrations have appeared in outlets including CNN, Vice, Shado Mag, and Unbias the News.

In the artist's words

Sir Fazle’s words reminded me of an experience most Ugandans share that demonstrates a culture and practice of sharing resources. 

Set during mango season in Uganda, this piece captures in its warm, vibrant colors what shared abundance looks like at the community level. 

The village comes together to share both the labor and the fruits of the season, revealing value in not only in what is harvested, but in the network of care that makes sharing possible. 

About the piece

This artwork was designed for BRAC USA and the limited series Canvases of Hope, inspired by the words of Sir Fazle Hasan Abed.

Learn more and get in touch

For social media visit Charity on Instagram ( @charity.atukunda) or www.charityatukunda.com/

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Art piece of woman with butterflies
I have spent my life watching optimism triumph over despair when the light of self-belief is sparked.”

Sir Fazle Hasan Abed

BRAC Founder

About the Artwork

‘Cause I Let My Dying Petals Fall, 2023

Artist: Kakizi Jemima (Rwanda)

Acrylics on canvas

In this work, butterflies emerge from a woman’s face, a visual shift from heaviness toward possibility. It echoes Sir Fazle’s words about how self-belief can move people and communities beyond despair toward hope and opportunity.

The idea behind the quote

Across BRAC’s work, this belief shows up in quiet turning points:

  • a mother begins to see herself as an entrepreneur
  • a child steps into a classroom and imagines a brighter future
  • a community facing crisis starts to believe in its power to recover and rebuild

The details change, but the heartbeat is the same.

Meet the Artist

About Kakizi Jemima

Kakizi Jemima is a multidisciplinary artist, curator, and advocate for contemporary women artists. Her contributions to the arts have earned her a nomination for the Forbes Women Africa Social Impact Awards in 2023.

Her journey is also featured in the book HER STORY, which highlights the narratives of 32 courageous and visionary women in Rwanda who have advocated and organized for women's rights throughout history.

In the artist's words

'Cause I let my dying petals fall' symbolizes a conscious choice toward resilience and courage. It reflects the belief that even in moments of heaviness, optimism can triumph over despair when the light of self-belief is sparked. The upward gaze suggests hope, while the butterflies embody the freedom that comes from trusting one’s inner strength and embracing change.

About the piece

This artwork has been exhibited in Seoul, South Korea (September, 2023) as part of 'African aurora' group exhibition at Gallery Desiego.

Learn more and get in touch

For social media visit Kakizi Jemima on Instagram (@kakizijemima)

Postcard 1

Community Word Cloud:

Word cloud from postcard series

Staff headshot

We want to hear from you! What do you think of the series? Want to learn more? Missed the last postcard?

About the series

What is Canvases of Hope?

Canvases of Hope is a three-part art postcard series released across the year. Each piece pairs:

  • An original artwork by an artist from a country where BRAC works
  • A quote from Sir Fazle Hasan Abed that reflects BRAC’s founding values

We created this series because BRAC is often known through what can be measured: research, results, and scale. Those matter. But beneath the numbers is something steady: BRAC’s heart, and its belief in human potential, even in the toughest conditions.

Why art?

Art invites a different kind of attention. It can hold complexity, emotion, and meaning. It stays with us. And it has long been part of how people make sense of injustice, resilience, and change.

A limited three-piece series

Three pieces across the year. If you received a postcard, you’ll get a short follow-up email with the artist story.

The Artists

We are happy to compensate our artists through an honorarium. Please also visit their social media, engage, and follow them to support their incredible work.